THE BEST SIDE OF CHARLIE CHAPLIN'S "THE CIRCUS" (1928)

They are sometimes craving romantics, with this particular big difference: Buster seems a plausible mate, as well as the Tramp barely seems to possess a libido, only idealized notions. If their comedies were created in a far more liberated time, it is feasible to assume Keaton in mattress with a woman, but disquieting to consider the Tramp as being